Emprendimiento en la música independiente en Brasil como patrimonio cultural
DOI:
https://doi.org/10.18472/cvt.24n2.2024.2020Palabras clave:
Música independiente como patrimonio cultural, Informalidad, Effectuation, Emprendimiento artísticoResumen
Este artículo analiza cuatro casos de emprendimiento en la música independiente en Río de Janeiro y São Paulo a través de la lógica effectuation: un espacio de música en vivo, un canal de Internet, un instituto sin fines de lucro y un bureau de servicios. La lógica effectuation es una clave interpretativa adecuada para el análisis de los procesos de toma de decisiones de los emprendedores, destacando la importancia de las contingencias, la naturaleza situacional de los desafíos y respuestas, así como el papel significativo de la informalidad y la co-creación en emprendimientos artístico-culturales. El artículo sugiere que futuras investigaciones exploren los aspectos meta-económicos como una dimensión relevante para una mejor comprensión del emprendimiento artístico como un medio de gestión del patrimonio cultural.
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Derechos de autor 2024 Aline Brufato
Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.
